Pig Eater (something weird to think about)
Fabricated steel, stainless steel, 3D scan and 3D print based bronze cast, 59 x 24 x 16 inches, 2024
The sculpture is on view in the Alfred Village Sculpture Park, New York, USA.
This integration of digital and traditional casting processes allows for detailed surface articulation while situating the object within a broader spatial composition.
The work engages with themes of consumption and transformation, using industrial materials and casting processes to frame the body as both object and system.
Based on a 3D design and fabricated during a summer residency at Glenn Zweygardt Sculpture Studio.
You Brought Something Into The World That Does Not Belong Here
Light sculpture with mild steel, aluminum casts from 3D print, LEDs, found objects, dimensions approximately 8 x 8 x 4 feet, 2023
MFA Thesis Exhibition, 2023
Robert C. Turner Gallery, Alfred University, NY, USA
Constructed from illuminated geometric frames, the installation draws on the visual language of laboratory containment units, vitrines, and transport cages—structures designed to isolate, protect, or control their contents. Suspended within these glowing boundaries are sculptural fragments referencing animal forms, suggesting bodies that have been extracted, replicated, or reassembled through scientific intervention. The cold, turquoise light transforms the gallery floor into a reflective surface, reinforcing a sense of sterility and artificiality.
The work reflects on the expanding capabilities of biotechnology through a minimal yet unsettling visual language, pointing to the tension between scientific ambition and moral responsibility.
(Perpetual) Death of Lucretia
Kinetic sculpture with mild steel, electronics & Arduino, inflatables, spray paint, dimensions approximately 8 x 8 x 4 feet, 2023
MFA Thesis Exhibition, 2023
Robert C. Turner Gallery, Alfred University, NY, USA
The work combines fabricated structural elements with a programmed mechanism that controls timing, movement, and repetition. Rather than presenting a static object, the sculpture operates over time, shifting between states of tension and release.
The piece draws on the narrative of Lucretia as a reference point, but removes it from a singular event and transforms a historical narrative of tragedy into a mechanical system (an automated ritual) that offers no catharsis.
Hedonic Cupids
Kinetic scultpure with 3D prints, electronics & Arduino, feathers, resin, spray paint, silicone rubber, binoculars, dimensions approximately 4 x 6 x 2 feet, 2023
MFA Thesis Exhibition, 2023
Robert C. Turner Gallery, Alfred University, NY, USA
A whimsical kinetic sculpture
that merges classical iconography with digitally
fabricated forms. Using 3D-printed elements and
electronic mechanisms, the work reimagines
the figure of Cupid within a constructed setting,
rather than its traditional natural environment.
At set intervals, the three converging elements of
the sculpture animate—the two artificial human
tongues meet, while a yellow finger points
toward the event, which can only be closely
observed through the installed binoculars.
The sculpture oscillates between playful visual
humour and critical reflection on contemporary
pragmatism. By combining mythological
references with mechanical movement, the work
considers how cultural narratives shift when
translated into new technological and material
contexts.
Intertwined
Alfred University Alumni Award, patinated bronze, edition of 15, 18 x 6 x 6 cm, 2022
This multi-stage workflow enables a precise translation from digital geometry to metal, while introducing subtle variations through each stage of material transformation. The resulting form emphasizes continuity, surface detail, and structural clarity.
The work reflects an interest in continuity and transformation, where digital and physical processes become inseparable in the construction of form.
Eye of the Future
Permanent sculpture with stainless steel, automotive paint, concrete, 11 x 2.2 x 1 meters, 2019/2020
Public sculpture commission, St. Columba’s Boys’ National School, Douglas, Cork, Ireland
The project involved the development of proof-ofconcept models and a mock installation to test spatial alignment and visual resolution prior to fabrication. I designed the work and oversaw its translation into a full-scale structure, working in collaboration with a fabrication team and project manager to ensure accuracy in construction, material execution, and site integration.
Through this process, the work reflects an interest in how sculptural form can operate as both a physical structure and a perceptual system.
